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After the great news that The Trouble with Sauce was having a full reprint, I got another email on Monday saying Lab Rats in Space is getting a digital reprint. Another of the benefits of being part of the Harper Collins stable is that they are set up for digital reprints. They're only doing 300 copies, but that's the beauty of digital, they don't need to commit to a big print run and it means as long as people order my books they will be available. Apparently the colours on the cover can sometimes appear a bit different but apart from that it's indistinguishable from the regular print run.
It's great news that they've sold all the original print run in two years. For a children's book aimed at 8-12 year old boys that's not bad. I'm hoping this means they will let me revisit the second book in the series. I know the editor who read the first draft didn't like it it, but I suspect space comedies really aren't his thing anyway. There is lots to improve in the text and a few big things to change, but that's all part of the excitement for me as a writer and I would LOVE to see the full series of 3 Lab Rats books that I planned out there.
It would also mean I could have give a definite answer to all the readers who keep asking me for the second one. Belinda, the publisher said we should wait until there are some more sales figures for my first ABC/Harper Collins book before putting it forward, which makes sense. Still the word REPRINT can only help make the case. I suspect the downside to being part of the Harper Collins stable (and to be honest this will be the first one I've come across) will be they'll want to sure of higher sales before they put something out there.
The merry-go-round comes round again
And so with Trouble with Sauce out in stores, the merry-go-round comes round again and I'm back wondering how to best to make the case for my next book. Hopefully I won't get thrown off the HC merry-go-round which I suspect spins faster than the ABC. Reprint, reprint, reprint, Bruno, just keep at the mantra.

Here it is... well almost. This is the uncorrected proof that gets used for promotional purposes. I've had them for my books before but not without a colour cover. They were made for Lab Rats but I don't think the sales reps ever saw them. It's good to see it in it a physical form for the first time. It's now a thing, an object in the real world. However that means it's also an object that has to be sold, assessed, reviewed... discounted.
Right now is the moment of hope. The moment when I foolishly allow myself to think that this might be a success. I always hear something positive about the book at this stage - 'it's had great feedback', 'the sales conference was very excited', 'certain influential booksellers are very keen'. I get a bit carried away and light a candle of flickering hope in the maelstrom that is Australian publishing.
Leading Edge Title
This time round it's the news that The Trouble with Sauce is to be a Leading Edge book. Leading Edge is a buying group of independent book sellers. Each month they select a number of books which are offered at a slight discount and pushed within their stores. It tends to be known best sellers or books which are more suited to the 'independents' than to the big chains. I think I fall in the latter category. It's certainly a plus being on the list and apparently they don't often do ABC Books. This may be part of the new age of Harper Collins.
First rule of being a minor author: be nice to the reps
I found out about Leading Edge from one of the Harper Collins reps. In my relentless pursuit of self-promotion I engineered a lunch with him via one of the Allen and Unwin reps. It was like a informal handover, from the person who used to sell my books in, to the one who was just about to start. In Australia where there are lots of independent book stores and all books aren't sold on group deals, the reps still play an important role. Book stores listen to them so if they say stock Bruno's book, they probably will. Now, at least I know one of the reps selling my books, or more the point, he knows me. The manager of Kinokunyia was also there - again a big plus. He asked if I wanted to come and do a library talk with him in September. I said YES of course.
Second rule: Pity the Publicist
The big mistake Harper Collins have made in giving me a copy of the uncorrected proof is that it lists the contact details for the publicist on the back. Poor Monica - she's about to get flooded with good ideas and fabulous suggestions on a book for which she probably has about 2.5 hours of work allocated.